Pile Poil j'écoute ça

vachement bien

Inégal, mais quand ça tape dans le mille, c'est purement génial.

La Scandinavie, la région du ROCK qui en veut.
Tout le monde doit faire partie d'un groupe là-haut.

http://www.concertvault.com/weather-report/city-center-june-30-1976.html

Wouarff je me doutais bien que ce n'était pas ma came cette musique, mais en même temps c'était gratuit sur le site de Bill Graham, alors...

WEATHER REPORT
City Center (New York City, NY)
Jun 30, 1976

1 Elegant People 06:16
2 Scarlet Woman 06:57
3 Barbary Coast / Come On Come Over 09:18
4 Portrait of Tracy 03:56
5 Cannonball 14:20
6 Drum Solo 02:08
7 Conga Solo 03:04
8 Birdland / Dr. Honoris Causa / Directions 10:59
9 Blackthorn Rose 03:59
10 Gibraltar 11:44

Joe Zawinul -piano, keyboards
Wayne Shorter - tenor and soprano saxes
Jaco Pastorius - electric bass
Manolo Badrena - congas
Alex Acuna - drums

By the time of this June 30th appearance at the 1976 Newport Jazz Festival in New York, electric bass phenom Jaco Pastorius - the new hired gun in the band - had only a few gigs under his belt with Weather Report. He had already recorded two tracks in December of 1975 for the group's Spring 1976 release, Black Market, and officially joined Weather Report on April 1, 1976 as the band kicked off its Stateside tour in Ann Arbor, Michigan. Jaco's fundamental groovepower and soloistic virtuosity brought a new potency to the band, and he combined with Peruvian drummer Alex Acuña and Puerto Rican percussionist Manolo Badrena to create a formidable rhythm section for this fusion juggernaut which was formed in 1970 by saxophonist Wayne Shorter and Austrian-born pianist-keyboardist Joe Zawinul. The two elders of the group had met in 1959 during a brief stint together in Maynard Ferguson's Orchestra (hear their 1959 Newport Jazz Festival performance here). Shorter left after eight weeks to join Art Blakey's Jazz Messengers and subsequently joined the second great Miles Davis quintet (which included pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams). Zawinul would leave Ferguson's outfit for a two-year stint with singer Dinah Washington before joining Cannonball Adderley's quintet, where he remained for nine years. Shorter and Zawinul would later be reunited on Miles Davis's seminal electric jazz offering, 1969's In a Silent Way, and the following year they would form Weather Report, which would become the preeminent fusion supergroup of the '70s.

Sharing the bill of this City Center concert with the Brecker Brothers Band, Weather Report kicks off their set with Wayne Shorter's bubbling, mambo-informed "Elegant People," a new piece from the band's just-released Black Market album. The atmospheric "Scarlet Woman," an entrancing soundscape from the group's previous recording, 1974's Mysterious Traveller, is underscored by Acuña's dramatic use of mallets on tom toms and Jaco's rich chordal work on the Fender electric bass. Zawinul's otherwordly timbres on synthesizer and heavily-treated Fender Rhodes electric piano create eerie but oddly compelling harmonies with Shorter's soprano sax lines here.

The adventurous quartet chugs through Pastorius' "Barbary Coast" from Black Market which segues neatly into Jaco's ultra-funky "Come On, Come Over," a tune from the bassist's remarkable self-titled debut from 1976 on Epic Records. Shorter digs into this earthy, uptempo R&B flavored vehicle and blows with bar-walking gusto on tenor sax. Jaco is next showcased in a stunning, unaccompanied rendition of his ringing harmonics-laden bass anthem "Portrait of Tracy," another piece from his recently-released Epic debut, and his lyrical fretless playing is on display on "Cannonball," Zawinul's lovely ode to his former mentor Cannonball Adderley, who had passed away the previous year.
After exhilarating extended solos from drummer Acuña and percussionist Badrena, the band returns for a medley of Zawinul's "Dr. Honoris Causa" and "Directions" (Note: the opening for this powerful medley contains a melodic snippet which Zawinul would later expand into the catchy mega-hit "Birdland"). Following that electrifying jam, Zawinul switches to piano for an intimate duet with Shorter on soprano sax on "Blackthorn Rose," from Mysterious Traveller. And they conclude their City Center set with Zawinul's dynamic "Gibraltar" from Black Market.

Zawinul and Shorter would continue to co-lead Weather Report, with various personnel changes along the way, through 1986. Shorter left to concentrate on his solo career, which continues to thrive to this day. After a brief fling with Weather Update, a band patterned after Weather Report, minus Shorter, Zawinul formed his powerhouse world music influenced band Zawinul Syndicate in 1987. He subsequently released nine albums and made several worldwide tours with the band over the next 20 years, continuing to perform even after he was diagnosed with a rare form of skin cancer (Merkel cell carcinoma) in late 2006. In the summer of 2007, Zawinul embarked on a five-week tour of Europe with his Zawinul Syndicate which was intended as a 75th birthday celebration (he was born on July 7, 1932). For an August 2nd show in Veszprém, Hungary, Zawinul was reunited on stage with his former Weather Report partner, Wayne Shorter, for a poignant duet reading of "In a Silent Way." Five days later, Zawinul was hospitalized in his native Vienna. He died on September 11, 2007. The posthumously-released 75, his final album, won a Grammy Award for Best Contemporary Jazz Album. (Bill Milkowski)

Thelonious

Common - Thelonious

Les Grammys pour les Daft Punk. 

Qui ont donné lieux à cette rencontre, cure de jouvence pour Stevie Wonder. Ces jeunes gens citent Wonder, Chic, "Get Lucky", et ca tortille du popotin en ce lundi matin ou comment se mettre en marche avant ce matin.

Bonne semaine à tous!

CC Rider a écrit:Les Grammys pour les Daft Punk. 

Qui ont donné lieux à cette rencontre, cure de jouvence pour Stevie Wonder. Ces jeunes gens citent Wonder, Chic, "Get Lucky", et ca tortille du popotin en ce lundi matin ou comment se mettre en marche avant ce matin.

Bonne semaine à tous!

Génial   

CC Rider a écrit:Les Grammys pour les Daft Punk. 

Qui ont donné lieux à cette rencontre, cure de jouvence pour Stevie Wonder. Ces jeunes gens citent Wonder, Chic, "Get Lucky", et ca tortille du popotin en ce lundi matin ou comment se mettre en marche avant ce matin.

Bonne semaine à tous!

Ça groovait sévère ! Bon rien que pour ça je suis content d'avoir enregistré la nuit dernière la cérémonie sur D17, vais me regarder ça tranquillement le weekend prochain. En toute objectivité, on ne peut pas vraiment dire que c'est Stevie qui met le feu là-dessus, il n'a pas l'air en très grande forme je trouve, limite inquiétant. Mais l'enchaînement avec "Le Freak" et la "fenêtre" qui s'ouvre pour voir les deux Daft Punk derrière, un bon petit frisson, content pour eux même si c'est pas trop ma came dans l'absolu.

Je me délecte de la soirée Grammies, association hyper classe et bien sentie. Fait plaisir de revoir Chicago dans la formule que j'adore, cuivres et crooner !

Bon allez je m'y colle, première écoute... ah si j'étais ministre qu'est-ce que ce serait ?!!!   

J'avais oublié combien ce concert était somptueux ..

lost in the flood a écrit:

Michel a écrit:

Bon sang ne peut mentir. La fille de "The Man in Black" sort un album superbe, avec des nouvelles compositions, on écoute avec émotion Etta's Tune, des intonations à la Emmylou Harris, des textes dans la lignée de Lucinda Williams. Magnifique

J'ai fait une première écoute de cet album et ça m'a donné envie de creuser un peu plus le sillon.
Peut-être même que si ça se confirme (cette bonne impression), j'en ferais l'acquisition.
La chose qui m'a frappé, c'est la très forte ressemblance de sa voix avec celle de Margo Timmins.

C'est une fausse impression ?

pile poil Rosanne !

et j'ai la même impression que toi Lost in the flood au sujet de la Miss Margot, à ceci près que la musique de Rosanne est plus enjouée que celui des Cowboy Junkies   

J'avais téléchargé ça il y a quelques années, avec un titre pareil je m'attendais à y retrouver Eric Burdon & The New Animals car "San Franciscan Nights" fut une de leurs plus belles chansons. Que nenni... mais bon du panard à foison qui m'a accompagné la semaine durant. Pour m'amener en ce vendredi soir, WEEKEND BORDEL !!!

San Franciscan Nights Version 2.0
The Hell's Honkies Tape Club

CD 1
Volume #1
74’03”
Quicksilver Messenger Service
01 Chevy Camaro Commercial (Studio 1966) 1’08”
02 “The Fool” (Studio 1967) 14’35”
03 “Stand By Me” (Studio 1968) 3’59”
04 “Happy Trails” (Studio 1968) 1’38”
05 “Hoochie Coochie Man” (Avalon 1966) 4’51”
Moby Grape, Avalon Ballroom, San Francisco, CA, December 31st, 1966
06 “Dark Magic” 17’22”
The Grateful Dead (Studio 1966)
07 “Walkin' The Dog” 5’58”
08 “Big Boss Man” 5’02”
09 “Beat It On Down The Line” 4’25”
10 “It's All Over Now (Baby Blue)” 5’11”
11 “Broken Heart” 2’52”
12 “One Kind Favor” 4’16”
13 “Jet To The Promised Land” 2’39”

CD 2
Volume #2
79’57”
Paul Butterfield Blues Band, Fillmore Auditorium, San Francisco, CA, October 14th, 1966
01 “Shake Your Money Maker” 2’31”
02 “The Sky Is Crying” 5’26”
03 “Pretty Woman” 4’27”
04 “Help Me” 5’09”
05 “Never Say No” 6’03”
06 “You're So Fine” 3’29”
07 “East West” (Cut) 14’59”
Jefferson Airplane, Fillmore West, San Francisco, CA, October 14th, 1966
08 “The Other Side Of This Life” 7’08”
09 “You're Bringing Me Down” 2’58”
10 “This Is My Life” 6’25”
11 “It's Alright” 2’06”
12 Instrumental 11’11”
13 “Go To Her” 4’12”
14 “It's No Secret” 3’46”

CD 3
Volume #3
70’57”
Country Joe & The Fish, Carousel Ballroom, San Francisco, CA, February 14th, 1968
01 “Thursday” 3’25”
02 “Rock Coast Blues” 4’28”
03 “The Masked Marauder” 6’03”
04 “Death Sound Blues” 5’56”
05 “Flyin' High” 7’44”
06 “Rock 'n Soul Music” 9’52”
Aum, Avalon Ballroom, San Francisco, CA, April 6th, 1969
07 “I Need You” 5’30”
08 “Little Brown Hen” 3’33”
09 “A Little Help From You” 13’39”
10 “Bye-Bye Baby” 10’40”

CD 4
Volume #4
47’27”
Steve Miller Blues Band, Carousel Ballroom, San Francisco, CA, May 10th, 1968
01 “Living In The U.S.A.” 15’23”
02 “Mercury Blues” 7’32”
03 “Stepping Stone” 4’45”
04 “Feel So Good” 4’32”
05 “Junior Saw It Happen” 6’00”
06 “Walking Cane” (Cut) 9’10”

CD 5
Volume #5
54’39”
The Electric Flag, Carousel Ballroom, San Francisco, CA, May 1968
01 Instrumental 1’36”
02 Instrumental 4’00”
03 “Texas” 6’18”
04 “Hey Joe” 5’19”
05 ? 7’58”
06 “I've Been Loving You Too Long” 8’08”
07 “Another Country” 2’04”
08 ? 2’11”
09 “Don't You Lie To Me” 7’46”
10 “Soul Searching” 9’13”

CD 6
Volume #6
71’52”
A.B. Sky, Avalon Ballroom, San Francisco, CA, March 30th, 1969
01 “The World Needs Love” 11’04”
02 “Thinking It Over” 8’25”
03 “Sweet Little Angel” 8’42”
04 “Just What I Needed” 4’16”
05 “St. James Infirmary” 8’46”
06 “Every Day I Have The Blues” 8’48”
Congress of Wonders
07 "Pigeon Park" Comedy Skit (KSAN) 5’20”
Grateful Dead, Family Dog at the Beach, September 6th, 1969
08 “Not Fade Away” – “Easy Wind” (Cut) 16’25”

CD 7
Volume #7
76’08”
The Sons of Champlin, Winterland, San Francisco, CA, October 24th, 1969
01 “It's Time” 6’15”
02 “For The Love Of A Woman” 9’12”
03 “We Got To Leave Tomorrow Behind” 13’50”
04 “You Can Fly” 13’08”
05 “Get High” 15’16”
The Charlatans, Sausalito Sessions 1969
06 “I Always Wanted A Girl Like You” 1’31”
07 “Alabama Bound” 6’10”
08 “No Place To Go” 3’05”
09 “How Can I Miss You When You Won't Go Away” 2’20”
10 “We're Not On The Same Trip” 3’10”
11 “Styrofoam” 2’03”

CD 8
Volume #8
74’28”
Janis Joplin, Mike Bloomfield, & Friends, Studio, December 3rd, 1969
01 “Nobody Knows You When You're Down And Out” 5’12”
02 “Try (Just A Little Bit Harder)” 4’28”
03 “Don't Quit, Daddy” 3’54”
04 “Get It While You Can” 4’46”
05 “Had To Get Out Of Texas” 9’43”
Lamb, Fillmore West, San Francisco, CA, 1970
06 “Flower Song” 3’25”
07 “Let's Go Flying” 3’03”
08 “Love Came To Me” 6’47”
09 “Get Happy” 5’34”
10 ? 8’06”
11 ? 3’50”
Santana, Fillmore West, San Francisco, CA, 1970
12 “Evil Ways” 8’02”
13 “Black Magic Woman” 6’08”
The Grateful Dead, Unknown 1966
13 “In The Midnight Hour” 1’22”